Graduate Michael Taylor recently edited The Farewell, starring Awkwafina and released by A24. His other credits include Netflix’s Deidre and Laney Rob a Train and Love is Strange, starring Alfred Molina, John Lithgow and Marisa Tomei.
Graduate Erica Freed Marker recently edited for the FX miniseries “Fosse/Verdon,” starring Sam Rockwell and Michelle Williams. Her other credits include CBS’s “The Good Fight” and Bravo’s “The Real Housewives of Atlanta.”
Graduate JiYe Kim was an assistant editor on the HBO series “High Maintenance.” Her other AE credits include Share, which won a special jury award at the 2019 Sundance Film Festival; and the documentary AlphaGo, which premiered at the 2017 Tribeca Film Festival and is now available on Netflix.
Graduate Katrina Pastore was the first assistant editor on The Lighthouse, staring Willem Dafoe and Robert Pattinson. Her other credits include Netflix’s The Kindergarten Teacher (starring Maggie Gyllenhaal) and The Wolf Hour (starring Naomi Watts).
Graduate Theresa McDermott’s assistant editing credits include Ben Stiller’s Showtime miniseries “Escape at Dannemora” (starring Benicio del Toro, Patricia Arquette, and Paul Dano) and Netflix’s Come Sunday (starring Chiwetel Ejiofor, Martin Sheen, Jason Segel, and Danny Glover).
Graduate Chris Iversen recently edited the documentary feature “The Gift: The Journey of Johnny Cash”, including interviews with Robert Duvall and Bruce Springsteen. His other credits include A+E Networks’ “Cultureshock”, ABC’s “The Story of Diana” and the Emmy Award-winning “Keepers of the Game”.
Graduate Amy Foote edited the documentary feature The Work, winner of the Best Documentary at SXSW 2017. Her other credits include Hail Satan? and A Matter of Taste: Serving Up Paul Liebrandt.
Graduate Andy Pang was an assistant editor on seasons 1-2 of the Amazon Original series “The Marvelous Mrs. Maisel.” Graduate Jordan Gozinsky was a post PA on season 3.
Graduate Raluca Petre recently worked as an additional assistant editor on Three Billboards Outside Ebbing, Missouri starring Frances McDormand, Woody Harrelson, and Sam Rockwell.
Graduate Mollie Goldstein recently edited Like Father, starring Kristen Bell, Seth Rogen and Kelsey Grammer and released by Netflix. Her other credits include Netflix’s The Incredible Jessica James and Someone Great, starring Gina Rodriguez.
Graduates Amy Foote and Cindy Lee edited the documentary feature Watergate. Graduates Janah Elise Cox and Kate McClane served as associate editors with Susannah Kalb and Kylie Sobel Kline as assistant editors.
Graduate Sophie Corra edited Love & Friendship, starring Kate Beckinsale and Chloe Sevigny. Most recently, she edited the Hulu original show “Dollface”, starring Kat Dennings, Brenda Song, and Shay Mitchell.
Graduate Sarah Devorkin was an editor on the Fat and Heat episodes of the Netflix Original series “Salt Fat Acid Heat”. Her other credits include working as an additional editor on the documentary “Roll Red Roll” and an editor on “Conversations with a Killer: The Ted Bundy Tapes”.
Graduate Anthony Mascorro was an editor on the TBS series “Full Frontal with Samantha Bee”. The series won an Emmy award for Outstanding Writing for a Variety Special in 2017.
Graduate Hannah Vanderlan edited the documentary series “The Clinton Affair”, distributed by A&E . Her other credits includes working as an associate editor on “The Skeleton Twins” and as an additional editor on Going Clear: Scientology & the Prison of Belief.
Graduate Kathryn Schubert was an assistant editor on Luce, starring Naomi Watts and Octavia Spender. Her other credits include a first assistant editor credit on Beasts of the Southern Wild.
Graduate Jenny Lee was the editor on the film See You Yesterday, produced by Spike Lee and now streaming on Netflix. Her other credits include The Skeleton Twins, Alex Strangelove, and Yes, God, Yes.
Graduate Kayla Sklar was an assistant editor on the documentary series “Soundtracks: Songs That Defined History”. Her other credits include working as an editor on the documentary feature “Rams” and an editor on the narrative short “Day One”.
