TEC Class Film to Premiere at AFI Docs


Personal Statement, October/November 2015 six-week class film will have its world premiere at AFI Docs as the opening night feature at the Newseum in Washington, D.C. on June 13th.

Personal Statement - Directors Juliane Dressner, Edwin Martinez
Karoline, Enoch and Christine are Brooklyn high school seniors who just want to go to college, but like so many public school students throughout the country, their schools don't have enough college guidance support. Refusing to give up, they decide to work as college counselors in their schools, becoming the very resource they don't have themselves.

Tickets and information about the screening can be found here.

More information on the film can be found here.


TEC Alum Gives Thoughts on the Collaborative Process

In a recent interview with Mandy News, Louise Ford shared thoughts about her collaborative experience with the Director on Thoroughbreds.

"Cory and I share a very similar creative sensibility, so the film was a breeze to edit because we would be enthusiastic about each other's ideas and be able to expand on them in an organic way. For example, Cory said he wanted to use drums in the soundtrack, not jazzy like Birdman – kind of military-feeling but not military. I came up with using the Japanese taiko drums (inspired by the photograph of Mark with the samurai sword we see in the first scene), which ended up being an important element of the soundtrack and contributed to the film's unique mood and atmosphere"

You can read the full article here.

Thoroughbreds is now available on Amazon Video and iTunes.

Announcing the Narrative Teacher for Our June/July Six-Week Class


We're happy to announce that Anne McCabe will be teaching the Narrative section of our June/July 2018 Six-Week class!

Anne McCabe started in the cutting rooms of Woody Allen, Brian de Palma, and Sidney Lumet. She has collaborated with Director Greg Mottola on several projects including The DaytrippersAdventureland and the award-winning pilot for HBO's "Newsroom". She also worked closely with Kenneth Lonergan on the Academy Award-nominated film You Can Count On Me, and Margaret. Her television credits include "Nurse Jackie", "Damages" and "Younger".

Navigating both drama and comedy, she cut Chris Rock's acclaimed movie Top Five and more recently Marielle Heller’s Can You Ever Forgive Me?, which will be released in October. Currently, she is working on Adam McKay and Jesse Armstrong's new HBO show "Succession" which starts airing in June.

Alumni and January 2018 Class Film Wins Audience Award at DocLands

 Third from Right: Editor Al Shurman Far Left: AE Sammy Dane

Third from Right: Editor Al Shurman
Far Left: AE Sammy Dane

16 Bars, edited by TEC Alum Al Shurman with assistant editing by TEC Alum Sammy Dane, had it's premiere at the DocLands 2018 festival and won the Audience Award. The film was also the January/February 2018 Six-week Class Documentary!

"DocLands Closing Night was a truly inspirational occasion, with the sold-out screening of Sam Bathrick’s World Premiere 16 Bars bringing audiences to tears, sighs, and, eventually, their feet, for an extended standing ovation that left filmmakers and subjects speechless."

You can learn more about the film and award here.

TEC Alum Film is NYT Critic's Pick


Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, edited by TEC Alum Adam Kurnitz, is now playing at the IFC Center.

Glenn Kenny at the New York Times says, "That Ms. Driver’s new picture, Boom For Real: The Late Teenage Years of Jean-Michel Basquiat, is a documentary ought not to dissuade anyone hungry for this filmmaker’s voice. While, in many respects, it is conventional in form, alternating archival footage from the late 1970s and early ’80s with newly shot interviews, the movie has a momentum (aided by an exemplary soundtrack of songs from the era) and a rare interrogatory spirit."

You can read the full review here.

More information on the film and screenings can be found here.

Three TEC Alums Chosen For Diversity in the Edit Room Fellowship

Congratulations to Eugene Yi, Margaret Metzger, and Faisal Azam for being chosen to participate in the new Karen Schmeer Diversity in the Edit Room Fellowship!

"Diversity in the Edit Room Program is designed to cultivate the careers of emerging assistant editors and editors from diverse backgrounds and experiences working in the documentary field."

More information on the program can be found here.

Announcing Our June Six-Week Class Films

We're thrilled to share that both of our June Six-Week class films have been selected!


Short History of the Long Road

Directed by Ani Simon-Kennedy

Teenage Nola grew up living out of a van with her father Clint - two nomads against the world. When Clint suddenly passes away, Nola is confronted by the reality of life on the road alone. She learns that in order to survive, she'll need to expand her relationships beyond the doors of her van and decide whether or not to get off the road for the first time.


Clean Slate

 Directed by Jared Callahan

Two men in rehab battle for sobriety while trying to reclaim their lives through filmmaking. It’s like the movie Rudy, but instead of football, it’s about drug addiction and making movies.


The six-week Art of Editing class at The Edit Center gives students a unique opportunity to learn from experienced film editors while working on a real film. You can learn more about the class here

TEC at Tribeca 2018

We're excited to announce that two class films and a number of alumni projects are included at this year's Tribeca Film Festival!
Congratulations to all involved!


9 at 38 | Editor Eugene Yi (TEC Alum)

Juilliard-trained violinist Hyungjoon Won is about to realize a dream seven years in the making: a joint concert by North and South Korean musicians straddling the 38th parallel. But military aggression and apathy soon threaten to derail his plan.

Blue Night | Editor Malcolm Jamieson (TEC Teacher) | Assistant Editor Theresa McDermott (TEC Alum)

On the eve of a major performance at the iconic Birdland Jazz Club, Vivienne Carala (Sarah Jessica Parker) receives shocking news during a doctor’s visit that turns her world upside down. She struggles to deal with the devastation during rehearsals with her band and her manager (Common) and attempts to avoid her overbearing mother (Jacqueline Bisset). Finally, as she contemplates sharing the news with her ex and her teen daughter, Vivienne finds solace in the streets of New York City, where she reflects on her past and her future.


The Fourth Estate | Editor Matthew Hamachek (TEC Alum)

For the journalists at The New York Times, the election of Donald Trump presented a once in a generation challenge in how the press would cover a president who has declared the majority of the nation’s major news outlets “the enemy of the people.” Oscar-nominated filmmaker Liz Garbus witnessed the inner workings of journalism and investigative reporting from the front lines during this administrations’ first history-making year. 

the last storm.jpeg

The Last Storm | Supervising Editor Andrew Blackwell (TEC Teacher)

Mark, a 60-year-old fledgling storm chaser who was recently diagnosed with lung cancer, sets out across the Midwest with his friend's nephew to search for a twister before the two- month season comes to an end. 

Love Gilda | Assistant Editor Nina Guzman (TEC Alum)

There’s the beloved image of Gilda Radner: fearless, passionate, and iconic. And then, there are shades of Radner the public wasn’t privileged to know, beyond her beloved characters on Saturday Night Live: the Radner who struggled with success, fame, relationships, and a battle with ovarian cancer. In Love, Gilda, director Lisa D’Apolito uses rare personal recordings and journal entries to tell Radner’s story in her own words. Along the way, friends and admirers, including Amy Poehler, Cecily Strong, Lorne Michaels, and a host of others, offer their most cherished memories of this brilliant trailblazer. What results is a touching tribute to and a fascinating contemplation of the comedian’s enduring cultural impact. 

mr soul.jpg

Mr. Soul! | Editor Janah Elise Cox (TEC Alum)

From 1968 to 1973, the public-television variety show SOUL!, guided by the enigmatic producer and host Ellis Haizlip, offered an unfiltered, uncompromising celebration of black literature, poetry, music, and politics—voices that had few other options for national exposure, and, as a result, found the program an improbable place to call home. With participants’ recollections and a bevy of great archival clips, Mr. SOUL! captures a critical moment in culture whose impact continues to resonate.


Netizens | June/July 2017 Six-Week Class Film

Cynthia Lowen’s powerful documentary Netizens highlights three women as each wages war against one of the internet’s most malevolent forces: prevalent and un-policed misogyny, harassment, and stalking. Directed at thousands of women daily by way of social media, it lies in plain sight, and its ramifications never remain only online. The film deftly depicts not only the forms digital abuse can take, from non-consensual pornography to invasion of privacy, but also the consequences for its victims.

radium girls.jpg

Radium Girls | Associate Editor Tia Douglas (TEC Alum)

Based on true events of the late ’20s, teenage sisters Bessie and Jo dream of faraway places while they paint glow-in-the-dark watch dials at the American Radium Factory in New Jersey. When Jo becomes ill, a larger, darker truth begins to emerge: She is not the first girl in the radium factory to become unwell. Bessie fights not only for her sister, but also for the rest of the women around her; she becomes a powerful advocate as she risks everything to stand up to the corporation that provides her family's livelihood.

roll red roll.jpg

Roll Red Roll | Additional Editor Sarah Devorkin (TEC Alum)

Like many small towns across the country, Steubenville, nestled in a valley in eastern Ohio, lives and dies by its high school football team. So when a teenage girl was sexually assaulted at a pre-season football party in 2012, no one came forward with information. True-crime blogger Alex Goddard set out to uncover the truth, piecing together the details of the crime through cell phone footage and photos that made their way to YouTube, as well as a nearly minute-by-minute account of events on social media. In the process, she uncovered both the perpetrators and the entire culture of complicity that enabled them. The ensuing trial, which made national headlines, cut to the very heart of nationwide debates about rape culture.


Song of Back and Neck | Editor Gary Levy (TEC Teacher)

Nice-guy Fred rarely gets through the day without falling to the ground with crippling back and neck pain. To top it off, Fred is not taken seriously by anyone, and a smarmy younger partner threatens his job of 25 years at his own father’s law firm. But, when the beautiful Regan comes in looking for a divorce lawyer, the two quickly form a bond, and she suggests he visit an acupuncturist—who discovers that Fred has a rather unique talent. As Fred finally begins to find relief for both his chronic pain and his persistent loneliness, he wonders if his problems are more psychological than physical.


The Tale | Editor Gary Levy (TEC Teacher)

Based on Fox’s own true story, The Tale follows Jennifer (Laura Dern) as she faces life-altering questions when a short story she wrote at thirteen forces her to re-examine her first sexual relationship––and the stories we tell ourselves in order to survive.

United Skates | March/April 2016 Six-Week Class Film

Off the radar of mainstream American culture, the African-American roller-rink community has thrived for decades in cities across the country, fostering community, hosting performances by groundbreaking hip-hop artists including N.W.A. and Queen Latifah, and serving as the incubator for a radical blend of skating and dance that stands is its own unique art form, complete with regional variations. Despite this remarkable history, skating is in a precarious state; re-zoning policies have led to rinks closing down, and the long-standing, still-present practice of admission policies have, historically, restricted attendance to racially-coded “Adult Nights and even discouraged or barred black patrons entirely. ” This electrifying work is at once a cultural history lesson, an investigation into racial politics, and a beautifully shot performance film. 


Untogether | Editor Sophie Corra (TEC Alum)

Andrea is a recently sober writer whose career has stalled since she published her debut novel several years ago. She strikes up an affair with Nick (Jamie Dornan), a doctor-turned-writer who is hailed for his wartime memoir. At the same time, her sister Tara, a massage therapist dating an aging rock star (Ben Mendelsohn), finds herself inexorably drawn to a newfound religious zeal and, particularly, to a politically engaged rabbi (Billy Crystal).